Not to be confused with the recently re-issued California Rebel by Eastwood Guitars, the Domino Californian came out a few years earlier. Imported to New York by Maurice Lipsky Music Co., these Japanese guitars were part of a series of models branded “Domino” throughout the 1960’s.
If you Google this brand, 95% of the info is about acoustic guitars. But here is a very cool example of one of their electrics. Espana was a brand used by Buegeleisen & Jacobson of New York City, who imported guitars from Italy in the 1960’s. Although not this model, It appears these same guitars were imported into UK with the VOX brand.
If you Google this brand, 95% of the info is about acoustic guitars. But here is a very cool example of one of their electrics. Espana was a brand used by Buegeleisen & Jacobson of New York City, who imported guitars from Italy in the 1960’s. It appears these same guitars were imported into UK […]
Teisco guitars have run a curious course in the opinion of vintage guitar fans. There was a time when any unidentified Japanese guitar from the 1960s—and that was just about all of them, even with brand names—was said to have been “made by Teisco,” and was generally held in disdain. Then, what used to be just cheap old guitars became collectible “vintage” guitars and before you knew it, Teisco and other el-cheapos were all of a sudden desirable and treated more or less seriously.
In the 1960′s Maurice Lipsky Music Co., a prominent importer and distributor in New York City, developed the Domino brand of guitars. In 1967 Lipsky introduced a line proto-copies carrying the Domino brand name. Most were inspired by European models such as the EKO Violin guitar. Here is the original flyer announcing the lineup from 1967, claiming “DOMINO IMAGINATION LEADS THE ROCK GENERATION!”. The California Rebel, recently reissued by Eastwood Guitars, is front and center here in 1967.
EKO was an Italian musical manufacturer, prominent in Europe from the late 50’s to the 1980’s. The brand lives on today, but the instruments are no longer produced in Italy. To the best of my knowledge, they evolved from being an accordion manufacturer in the late 50’s, to creating some of the coolest electric guitars in the early sixties. They were known for their crazy pearloid and faux woodgrain finishes, accordion switches and funky body shapes. Later in the early 1970’s, they also took over production for VOX guitars, and were distributed in USA by the LoDuco Brothers in Milwaukee. That is likely where this guitar came from.
Since 1998 myrareguitars.com has been sharing its knowledge and history of the bizarre guitars from the late 50’s and early 60’s. As we approach our 15th anniversary, we’ve been looking for something unique to mark the “brand” and create some historical goodies for all those passionate about weird guitars. We’ve decided to issue one or two new models each year – focusing on the real “fringe” bizarre – branded with the MyRareGuitars label. These oddball collectables will feature top quality, professional materials and construction, but will keep the prices at a fun and friendly level – a thank you to all who have supported us over the years. We especially look forward to your suggestions for future models! Our initial release – the Solo King.
Even though I don’t frequent them often, I love classic car shows. The sight of those two-tone jobs—often done up in exotic colors like pastels or turquoise—always raises a smile of nostalgia, a glimmer of my youth when they were new and I had dreams of being able to hit the road. Kind of like how I feel when I look at this very nifty EKO Condor.
Among the popular performers of Hawaiian (and most other types of) music on the Vaudeville music hall circuit was Roy Smeck (1900-1994). Smeck was a talented instrumentalist who played guitar, banjo, ukulele, and lap steel guitar, earning the sobriquet “Wizard of the Strings.” Smeck made quite a few recordings and starred in part of the first “sound on disk” movie that was released in 1926. Like many other performers, Smeck endorsed a number of instruments by various manufacturers over the years, but is probably best known for the line of Harmonies introduced in 1927 with the pear-shaped Vita-Uke. Smeck’s name would be associated with Harmony instruments until near the end of the company’s run in 1973.
As much as I would like to, I can’t really shed a lot of light on this brand. What we do know, is they were from Japan, mid 60’s to early 70’s. All the typical copy-era models that you would see from Teisco and a handful of other brands. Slightly better than average quality, similar to the Domino guitars. So, likely an American importer that found a niche and filled it for as long as he/she could. Rather than ramble on about it, I’ll simply offer up a bunch of photos so you can let your imagination run wild!
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