A Sharp Venture (1968 Guyatone LG-350T Sharp 5 Electric Guitar)

1968 Guyatone LG-350T Sharp 5 Vintage Electric Guitar

Well, well, well. What have we here? On the surface, of course, it’s a 1968 Guyatone LG-350T Sharp 5. A sight little seen in North America, but not uncommon in Japan, at least once upon a time. And if it makes you think of a little bit of a Mosrite on drugs, well then you’re not too far off the mark! Welcome to a bit about the Ventures and the early world of copy guitars!

Walk, Don’t Run! (1967 Heit Deluxe V-2 Electric Guitar)

1967 Heit Deluxe V-2 Vintage Electric Guitar

What is it about the Japanese and the Ventures? I mean, I cut my teeth with the Ventures. They were the perfect band to learn guitar from. The Ventures took songs with often complex harmonic structures—like the wonderful Johnny Smith classic—and stripped them down to their basic melodies, gave them a simple rock groove, and played them clean. I had the sheet music to Smith’s song, but there was no way in you know where I was gong to play off that. But follow along with the Ventures’ single? You bet!

1960′s Galanti Jetstar Electric Guitar

1960's Galanti Jetstar Electric Guitar

A buddy of mine (thanks, Garrett!) tipped me to this model on eBay. I’ve long been a lover of 1960’s Italian-made guitars. One of my great regrets is letting go of a Sano hollowbody that was, in all but name, the same as the hollowbody Galanti Rangemaster.

A Missing Link? (1969 Dan Armstrong Modified Danelectro Electric Guitar)

1969 Dan Armstrong Modified Danelectro Electric Guitar

Sometimes you take a look at a guitar and the warning bells start ringing: bogus. Like those early “missing links” proposed by inventive amateur anthropologists who put gorilla skulls on anthropoid skeletons. That’s what happened to me the first time a dealer hauled this out and showed it to me. It was a Danelectro alright, but those pickups? Then I looked again. Who would stencil “Dan Armstrong Modified Danelectro” on an aftermarket pickguard? Then there were the pickups. Epoxy potted. Trademark of who, or is it whom? Dan Armstrong. Think his Ampeg see-through guitars. No, on second thought, this had the air of a mystery wrapped in an enigma with a generous dash of authenticity. So it proved to be. And so it came my way and all I had to do was put the links back together again.

A Plastic Fantastic Dream (1965 Gemelli 195/4/V Electric Guitar)

Vintage 1965 Gemelli 195/4/V Electric Guitar

I’ve always had a bit of a taste for plastic on my guitars. Oh, don’t get me wrong. I love flamed and quilted maple, rich ribbon mahogany, Brazilian rosewood, abalone pearl. But there’s something so wonderfully cheesy about the use of plastic on a guitar. I guess that’s one of the reason why I like this otherwise relatively humble Italian-made Gemelli 195/4/V from around 1965.

Al & Ray, Not Bob (1967 Alray 12-String Thinline Electric Guitar)

Vintage 1967 Alray 12-String Thinline Electric Guitar

The guitar shown here may have nothing to do with the famous comedic radio commercial team Bob and Ray, but half the name is right, and, from at least one point of view, this ca. 1967 Alray 12-string is pretty amusing! And as rare as…well…electric 12-strings!

Alpine Wonderland (1968 St. Moritz Stereo Guitar)

1968 St. Moritz Stereo Guitar

There’s not much I know about St. Moritz, Switzerland (or Aspen, for that matter). There’s not even much I know about this St. Moritz stereo guitar. But I’m pretty sure I like all of them. Certainly I love this guitar, which is pretty revolutionary.

Tuck & Roll (1968 Kustom K200A Electric Guitar)

1968 Kustom K200A Electric Guitar

I remember seeing my first Kustom amp around 1967. Blue sparkle vinyl. Even in an era of hippies, tuck and roll vinyl was groovy. For better or worse, when I needed an amp for a band I ended up with this humongous 350-watt Mosrite, but that’s another story.

Hey Man, What’s That Sound? (1966 Standel 101 Custom Deluxe Electric Guitar)

Vintage 1966 Standel Model 101 Custom Deluxe Electric Guitar

Back in the late 1960s—Jimi notwithstanding—the cat’s pajamas of amplifiers were solid-state. Tube amps were heavy and prone to feedback. Solid-state amps were clean, big, and loud. I ran a whole band off a humongous 350-watt Mosrite amp. The mix sucked, but we were loud! The most desirable amps at that time were made by Standel and, to a lesser extent, Kustom (depended on your kind of music). It was only later that I learned that both companies also made guitars, like this ca. 1966 Standel Model 101 Custom Deluxe Solid Body Guitar. Heavy!

A Taste of Italy (1965 Juliett Delux Electric Guitar)

Vintage 1965 Juliett Delux Electric Guitar

It’s always dangerous to deal in stereotypes. Nevertheless, there’s often a grain of truth lurking behind them. Take guitars (what else?) from the ‘60s. Often it only takes a glance to sus where a guitar came from. Look at a Japanese electric guitar and you won’t mistake it for anything else. Or move to Europe. You’d almost never confuse a German guitar—full of engineering bells and whistles—for an Italian one (loaded with style), or vice versa. Take this c. 1965 Juliett Delux guitar.