Hello to all out there in guitar dominion, this month’s column will I hope reveal some of the great secrets of some of our favorite guitar players as well as dispel some common misunderstandings. One of the greatest musicians of the 20th century was also a damn good guitar player, he stands alone as a composer, instrumentalist and satirist beyond compare. His name was Frank Zappa. Frank is still IMHO the most underrated musician in the rock and roll era.
With the magic of You Tube, this month in Notable we direct you to Andy Gill’s guitar playing on “He’d Send in the Army”, circa 1980. He turned my thinking upside-down when I saw The Gang of Four that year. Watch the video. Unbelievable. Recently Andy sent a “quote” to add to EastwoodGuitars.com, to which we are greatful.
I’m the luckiest guy alive. It’s my cardboard box upright bass that’s gaining celebrity status. I’m merely the box bass valet. I’m losing my mind, or the Bogdon box bass is actually developing a personality/character.
This month’s column will feature some of my favorite vintage pedals and effects. These choices will be from my point of view and experience, and as I cannot with expertise speak about effects that I cannot use in the type of music I play (which is blues, old school country, classic rock and 50’s and 60’s R&B). I again welcome all suggestions for your favorite effects.
This all came together in 1965 to form the Kay Titan I, a remarkably nice little guitar despite it’s looks. Technically, the Kay Titan I lasted only one year, although it was still around as the Kay Titan II beginning in 1966, when the juke box company Seeburg purchased the company.
Enter exhibit A: A late 60’s KENT short scale variation on the very popular (then and now) “Beatle” violin shaped bass. As you can see from the photos, this isn’t your average violin bass. While many, from the classic Hofner that Paul McCartney turned a few kids on to, to the Teisco and Black Jack Japanese models, didn’t stray far from the violin shape, this Kent takes a few attractive and stylish liberties with the standard template.
What I’d gotten in that dark, dusty Philadelphia guitar shop was a 1965 Framus Strato Deluxe, essentially a solidbody version of the hollowbody 1963 Framus Television 5/118 shown here.
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