You’ve finally made your decision to slap down some of your scarce cash on a reissue or new model tube amp built in the Far East for a BIG name manufacturer. It seems like a great deal: the vintage amps of this model sell for thousands of dollars more, it looks like the real thing and the specs appear to be the same (same tubes, same power, same controls, etc.). And, it sounded pretty darn good in the store too.
My first home recording set up was an Akai ¼ inch 2 track and a Harmon Kardon cassette deck, no EQ, the only effects I had were a few effects pedals. I would program one of my primitive drum machines or use a factory preset non-programmable rhythm machine while I was recording that I would usually add my bass or rhythm guitar. And after a suitable take I would ping pong the tracks back and forth from the 2 track to the cassette, adding effects on the fly.
Like a tornado ripping through town, the 2007 NAMM show came and went. For Eastwood Guitars, it was our first – and what an eye-opening experience it was. Although exhibiting in the 4-day event cost as much as buying a first home in Winnipeg, in hindsight, it was worth every penny. What a trip! Here are some observations from the helm of Eastwood.
The NAMM show is incredibly HUGE. It’s fitting that it’s across the street from Disneyland, as you end up walking just as much as you would at the self-proclaimed happiest place on earth (not when there’s a million guitars across the street, Walt). On a further plus, there’s a lot less puke and fewer children at the NAMM show.
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