Here are a pair of Airline Barney Kessel models from the 1960’s. It was also known as the Swingmaster, and could be found under the Kay brand and the Old Kraftsmen brand.
Here is a rare bass from Italy. There is little information about the Espana brand, but it was most certainly created under the Crucianelli brand in the 1960’s Italy, likely the late 60’s. This bass was obviously targeted at the Fender crowd – check out the headstock – and the body too is quite reminiscent of the classic Fender style.
Back in the late 1960s, amplifiers were big. No, I don’t mean as in “popular.” I mean as in big! I had a giant 350-watt solid-state Mosrite that ran a whole band. It was so big, I had to buy a VW Bus to schlep it around. Back then, probably no big amp brand was bigger—as in more popular—than Standel out of California. Those were the amps to have (I suspect my Mosrite was really made by them). Standel got so big, the company introduced its own guitar lines. And, just as Mosrite probably didn’t make any amps, Standel didn’t make any of its guitars.
As a full time repair tech, I would say that set ups are probably the most common procedure I do in the shop on the average day. And probably 90% of the guitars that come through the door need a fret level and recrown along with the set up. I thought I would share with you the process I go through to inspect frets and what is actually involved in a fret level, as well as some of the reasons your guitar’s frets became undeveloped in the first place.
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