You know that suspenseful feeling you get when you’re watching a horror flick at the theatre? It’s dead silent, the protagonist slowly reaches for a door handle when suddenly a loud “BANG” erupts through the speakers as the door slams shut! Even though it’s expected, it still makes you jump. If the door slam wasn’t […]
In an era where guitar heroes are a dying breed, Jack White stands among the greatest guitarists of his generation. His preference for older, more primitive equipment came at a time when most guitarists were neck-deep in processors, pedals and preamps. Relying on his distinct style and killer tone, White became the touchstone for a new movement of more blues-inspired guitarists.
Guitars are funny. Six strings, a piece of wood, and a rather simple electronic circuit is all they’re made of. They’re all the same thing! Why does one cost $200 dollars, and the next is $2000? While many would jump to “brand name” as their go-to answer, you have to consider how the big brand […]
Magnatone was started in 1946 by Art Duhamell, who purchased the Dickerson Musical Instrument Manufacturing Company. Dickerson was a small, Southern California builder who produced lap steels and amplifiers. Dunhamell changed the name to Magnatone a division of his Magna Electronics Company in Los Angeles. Magna also produced record players, speakers, radios and organs as well as amplifiers under brands such as ToneMaster, DaVinci, Pac-Amp, and Estey. The Estey organ’s vibrato circuit was integral in the birth of the famous Magnatone pitch shifting vibrato feature,(but more on that later). Though Magnatone had a good run of building some of the first, high fidelity, innovative, “boutique” amps to hit the market, the company was plagued by mergers and buy outs, poor business decisions, and bad investments. In the end, Magnatone was no more by the end of the 1960’s.
It’s never good enough is it? With every new guitar and each new amp, every acquisition of gear and fancy “toys”, satisfaction always seems to be fleeting. It’s only a matter of time before you ask yourself that familiar question, “what can I do to sound better?!” and then run out to add something to the collection.
Egmond also made high quality instruments, the Egmond 2 and 3, 2V and 3V. They had 2 or 3 pickups, as the number states. 2V and 3V (V=vinyl covered body) had the body shape of a Fender Jaguar or Fender Jazzmaster. Later the Egmond 2 and 3 got the name Egmond Thunder, and the Egmond 2V and 3V got the name Egmond Typhoon. A more advanced and luxury guitar, with the same body shape as the 2V and 3V, was the Egmond Tempest. Here is a fine example of the Egmond Thunder.
Here are two examples of the Japanese made EPI Crestwood from the early 1970’s. The Epiphone ET Series guitars were solidbody guitars produced from 1970-1978 at the Matsumoku plant in Japan. In 1970, the decision was made to close down Kalamazoo production of Epiphones in favor of building them overseas in Japan. Epiphone decided to offer a new line of Japanese-built Epiphones that had more in common with other Japanese copies than previous Epiphone products.
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