Owning well-made equipment is a great way to ensure that what you put into the guitar comes out naturally through the amp. In order for that to happen, however, it is necessary for all the knobs to be set the way you want for the sound you want. Tone and timbre vary from guitar to […]
by Vince Schaljo There are two main sounds a guitar can make that really make me cringe. The first being one that’s terribly out of tune, and the second… the notorious fret buzz. An out of tune guitar is a quick and easy fix, but fret buzzing can be caused by so many different things […]
Intruducing the new Airline NEWPORT. It is Eastwood’s take on the rare National Newport Val-Pro 88 from the late 50’s and early 60’s. It features two NY Mini Humbuckers and a Piezo pickup in the bridge with a 5-way swtich. Tones of tonal variations! Available in Black or Seafoam Green. Only $1099, hardshell case included. Shipping […]
I’ve always found that when it comes to having talks with other guitarists about tone, the conversation inevitably stays within the realm of “the guitar”. It always seems there’s an unsung hero playing on the tone team that just doesn’t get the credit where it’s due. I am talking of course about that box that […]
This Imperial came out of a little piece of Dickens in Philadelphia called Torresdale Music in the neighborhood with that name, in the “near northeast” as we call it, near the Burlington-Bristol Bridge (cheapest toll bridge over the Delaware River to New Jersey and back). Torresdale was a tiny, ancient corner shop just up the street from Chink’s Steaks, a legendary cheesesteak sandwich purveyor, the name of whose establishment has been the source of some local ethnic controversy. (Really good cheesesteaks consumed while sitting in 1940s-vintage wooden booths, highly recommended.)
One of the big influences on my guitar writing “career” was Dan Forte’s writing—under the nom de plume Teisco del Rey—for Guitar Player magazine back in the 1970s and ‘80s. Dan, or Teisco, took a much more tongue-in-cheeky approach to regaling the often goofy guitar designs of the 1960s, whereas I’ve always been a bit more dourly serious about the subject, but I like to think we kept the torch burning for decades for those of us who love whatever’s whacky about guitars.
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