Walk, Don’t Run! (1967 Heit Deluxe V-2 Electric Guitar)

1967 Heit Deluxe V-2 Vintage Electric Guitar

What is it about the Japanese and the Ventures? I mean, I cut my teeth with the Ventures. They were the perfect band to learn guitar from. The Ventures took songs with often complex harmonic structures—like the wonderful Johnny Smith classic—and stripped them down to their basic melodies, gave them a simple rock groove, and played them clean. I had the sheet music to Smith’s song, but there was no way in you know where I was gong to play off that. But follow along with the Ventures’ single? You bet!

Tension Reduction, But Not With Shiatsu (1990 PBC GTS 200S Electric Guitar)

1990 PBC GTS 200S Electric Guitar

How often have you ever walked into a music store—an admittedly increasingly exotic experience in this internet age—and had the salesman practically beg you to buy a guitar at a bargain basement price? My guess is not often! Nevertheless, that’s exactly what happened to me with this 1990 PBC GTS 200S!

A Missing Link? (1969 Dan Armstrong Modified Danelectro Electric Guitar)

1969 Dan Armstrong Modified Danelectro Electric Guitar

Sometimes you take a look at a guitar and the warning bells start ringing: bogus. Like those early “missing links” proposed by inventive amateur anthropologists who put gorilla skulls on anthropoid skeletons. That’s what happened to me the first time a dealer hauled this out and showed it to me. It was a Danelectro alright, but those pickups? Then I looked again. Who would stencil “Dan Armstrong Modified Danelectro” on an aftermarket pickguard? Then there were the pickups. Epoxy potted. Trademark of who, or is it whom? Dan Armstrong. Think his Ampeg see-through guitars. No, on second thought, this had the air of a mystery wrapped in an enigma with a generous dash of authenticity. So it proved to be. And so it came my way and all I had to do was put the links back together again.

A Plastic Fantastic Dream (1965 Gemelli 195/4/V Electric Guitar)

Vintage 1965 Gemelli 195/4/V Electric Guitar

I’ve always had a bit of a taste for plastic on my guitars. Oh, don’t get me wrong. I love flamed and quilted maple, rich ribbon mahogany, Brazilian rosewood, abalone pearl. But there’s something so wonderfully cheesy about the use of plastic on a guitar. I guess that’s one of the reason why I like this otherwise relatively humble Italian-made Gemelli 195/4/V from around 1965.

Al & Ray, Not Bob (1967 Alray 12-String Thinline Electric Guitar)

Vintage 1967 Alray 12-String Thinline Electric Guitar

The guitar shown here may have nothing to do with the famous comedic radio commercial team Bob and Ray, but half the name is right, and, from at least one point of view, this ca. 1967 Alray 12-string is pretty amusing! And as rare as…well…electric 12-strings!

Alpine Wonderland (1968 St. Moritz Stereo Guitar)

1968 St. Moritz Stereo Guitar

There’s not much I know about St. Moritz, Switzerland (or Aspen, for that matter). There’s not even much I know about this St. Moritz stereo guitar. But I’m pretty sure I like all of them. Certainly I love this guitar, which is pretty revolutionary.

Tuck & Roll (1968 Kustom K200A Electric Guitar)

1968 Kustom K200A Electric Guitar

I remember seeing my first Kustom amp around 1967. Blue sparkle vinyl. Even in an era of hippies, tuck and roll vinyl was groovy. For better or worse, when I needed an amp for a band I ended up with this humongous 350-watt Mosrite, but that’s another story.

Catching a Wave (1984 Takamine Electric Guitar)

1984 Takamine Solid Body Electric Guitar (Model Unknown)

I don’t go to guitar shows much any more. I should, because I have a lot of friends who ply the floor, but I’ve been on a guitar diet for several years now. And my friends always find something goofy for me to buy. That’s how I ended up with this mysterious and rare Takamine solidbody guitar from 1984. What the heck is this?! I didn’t know and the dealer who knew enough to bring it to me didn’t know either, but he knew I would have to have it!

Center Stage in the Spotlight (1988 Epiphone Spotlight Electric Guitar)

1988 Epiphone Spotlight Electric Guitar

These days Epiphone guitars are almost ubiquitous. If a band plays Gibson-style guitars, they’re most likely to be slinging Epis. I’m not sure why, but I suspect it’s because the quality is pretty good, the sound is decent, the look is there, and, if some scumbag should manage to ease a case out of the back of your van when you’re looking the other way, you’re only out an Epi. In other words, the Gibson stays back at home. This is only the latest twist in a tale full of deliciously ironic symbiosis. Another turn is reflected by this extremely rare 1988 Epiphone Spotlight.

Hey Man, What’s That Sound? (1966 Standel 101 Custom Deluxe Electric Guitar)

Vintage 1966 Standel Model 101 Custom Deluxe Electric Guitar

Back in the late 1960s—Jimi notwithstanding—the cat’s pajamas of amplifiers were solid-state. Tube amps were heavy and prone to feedback. Solid-state amps were clean, big, and loud. I ran a whole band off a humongous 350-watt Mosrite amp. The mix sucked, but we were loud! The most desirable amps at that time were made by Standel and, to a lesser extent, Kustom (depended on your kind of music). It was only later that I learned that both companies also made guitars, like this ca. 1966 Standel Model 101 Custom Deluxe Solid Body Guitar. Heavy!