Last month guitar legend Link Wray passed away at his Copenhagen home at the age of seventy-six. A master of raw tone and minimalist riffs, Link Wray was the great grandfather of the power chord.
Accordions. If you play guitar, you probably don’t think much about them. But from several perspectives they played an important role in giving the guitar a boost to prominence that it now enjoys. A role that is nicely evidenced by this very swell c. 1967 Galanti Grand Prix electric guitar.
In 1967 Lipsky introduced a line proto-copies carrying the Domino brand name. Most were inspired by European models such as the EKO Violin guitar. Among the offerings were two models sporting a California cache, the #502 Californian, an asymmetrical copy of a Vox Phantom, and the #CE82 Californian Rebel (wouldn’t California Rebel have made more sense?) shown here.
My solution was an easy to build, self-made amp stand. It’s made out of 3 wooden boards and 4 movable angles. Since I use this construction, I always can hear myself properly, which makes playing much easier of course. My engineer (on live gigs) does not have troubles anymore with the sometimes extreme highs, because the speakers look upwards now. And, most important, I can use any of the three amps I own, without changing the look or diminish the worth of my amps by drilling holes.
Now, these are known as Shaggs models because they’re what the Shaggs played, not because of some big corporate endorsement deal! No one knows who sold the Avalon brand. Mailorder? An area music store? An auto supply store? All possible. Nor who made them. Nothing like them shows up in the reference books. I’m not even sure when they were made, but 1967 or ’68 is a good guess. Japanese guitarmakers were competing with the Europeans early on in the 1960s and some of the earliest ‘copying’ was of European models.
While Mac and Joe ogled the frankly boring mid-’70s LP, I was ogling one of the most gorgeous guitars I’d ever seen. Later I found out it was a 1983 Electra Endorser X934CS. A set-in neck with no heel. Mahogany with a carved maple cap that had flame so deep you got high staring at it. Finished in cherry sunburst, my favorite.
George Harrison was my hero! OK, so he’s everybody’s hero, but you’ve got to understand, I’m a sitar player. The sitar is the love of my life – I love it more than my computer, more than my ’62 Telecaster, maybe even more than my orange tomcat who brings dead things into the house all the time.
SOLD OUT! We’ve had such great success with the Airline series that we are now producing new Eastwood Custom Shop models. Custom colors, custom pickups, knobs, pickguards… Different every time, less than 10 of each will be made. Includes hardshell case. Priced from $499-$999.
I have been playing guitar for 40 years. I have owned everything, from ES175 to a 58 Les Paul Std, 59 Strat, Travis Bean, Alembic, Cort, Samick, Guilds, G + Ls, you name it, I owned one. And you know what? If I see one more damn Les Paul, Strat or Tele I think I will vomit! Good lord, are they the most boring thing in theworld or what?& I love guitars that are different. I do NOT want to see another guy walking down the street playing the same guitar as me. There is a world of cool guitars out there and yet some guys have noimagination, they just play the same blankity blank guitars that everyone has had for the last 50 years!
Not much is known about Sekova guitars. They were imported from Japan by U.S. Musical Merchandise of New York City, one of many music distributors that once thrived in that fair city. Who actually made Sekovas in Japan also remains a mystery, but it’s similar to a Greco 921. Greco. Grecian. Geddit? Many, if not all, Grecos were built by the great Fuji Gen Gakki factory, the company that made most classic Ibanez guitars, so perhaps that’s where this originated.
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