Teisco guitars have run a curious course in the opinion of vintage guitar fans. There was a time when any unidentified Japanese guitar from the 1960s—and that was just about all of them, even with brand names—was said to have been “made by Teisco,” and was generally held in disdain. Then, what used to be just cheap old guitars became collectible “vintage” guitars and before you knew it, Teisco and other el-cheapos were all of a sudden desirable and treated more or less seriously.
It’s funny how history and evolution work. They follow a loosely Hegelian dialectical process of first going one way, then leaping to an opposing pole, and finally ending somewhere in the middle, only to start the process over again. This Kramer Ferrington acoustic-electric reflects one of those dialectical swings that occurred in the mid-1980s.
In the 1960′s Maurice Lipsky Music Co., a prominent importer and distributor in New York City, developed the Domino brand of guitars. In 1967 Lipsky introduced a line proto-copies carrying the Domino brand name. Most were inspired by European models such as the EKO Violin guitar. Here is the original flyer announcing the lineup from 1967, claiming “DOMINO IMAGINATION LEADS THE ROCK GENERATION!”. The California Rebel, recently reissued by Eastwood Guitars, is front and center here in 1967.
Even though I don’t frequent them often, I love classic car shows. The sight of those two-tone jobs—often done up in exotic colors like pastels or turquoise—always raises a smile of nostalgia, a glimmer of my youth when they were new and I had dreams of being able to hit the road. Kind of like how I feel when I look at this very nifty EKO Condor.
There was a period in time about 12 months before the official birth of Eastwood Guitars, where www.myrareguitars.com was selling more NEW guitars than Vintage Guitars. From 1999-2002, MRG was a dealer for Dipinto Guitars, Burns UK, EKO, Italia, Tokai and many others. One of the brands at that time was STARS. STARS? I know, never heard of it. Maybe it lasted for only 18 months at best, but they put out a Brian May copy that was WAY better than most people expected, at a price that was unbeatable, around $599.
One of the most legendary musicians of all time was also quite the great guitar player. Many don’t associate John Lennon with being a great guitarist, but in actuality he was. Sure in the early Beatles’ days, he played standard rhythm guitar, but in later years he was soloing along side George Harrison. So what guitars did John use as a Beatle? Lets take a closer look.
Many Beatles fans are not aware that Paul McCartney played more than just his Hofner Bass, especially since that was his main instrument seen in their live performances and music videos. Paul in fact used other basses as well as guitars. This article will show you several instruments Paul used with the Beatles that you may not have known about.
Eastwood has released its new Phase 4 Hi-Flyer guitar model. The Phase 4 was the last generation UNIVOX Hi-Flier model that were made from 1968 to 1977. The model was used by Kurt Cobain in their Heart Shaped Box video. The song was released as the first single from the group’s third and final studio album, In Utero, in 1993.
What makes a great guitar riff? Does it come down to the technical brilliance that goes into playing it, or the ease by which a simple but effective riff can be played by beginners? Similarly, what riffs act as useful indicators of changing periods in music, and how have they transcended their status within songs to almost stand in for a whole band’s career? The following list represents an effort to put together some of the best guitar riffs, which are presented in rough order of influence through to some personal favourites at the top of the list.
Devo have always taken an unconventional approach to their music, videos, and striking fashion sense so it’s no surprise that this attitude would also apply to their choice of guitars. While many think of them as a synthpop band with the occasional guitar thrown in, in their early years they were precisely the opposite – at times featuring three guitarists in their line up (guitarist Bob1 [Mothersbaugh], guitarist/keyboardist Bob2 [Casale], and singer/keyboardist/guitarist Mark Mothersbaugh). By the early 80s, however, Bob1 was the only member with strings on his instrument with Bob2 and bassist Jerry Casale having mostly switched over to playing their parts on synths. They seemed to have not only enjoyed unusual choices in guitars (shying away from the all too common Strats and Les Pauls) but rotating through many different models as well.