As a guitarist who has always played with my fingers, as opposed to picks, I have always been very interested in bass notes. My right-hand thumb is always free to go looking for bottom end notes, and I’d like to pass on some of what I know.
Now, these are known as Shaggs models because they’re what the Shaggs played, not because of some big corporate endorsement deal! No one knows who sold the Avalon brand. Mailorder? An area music store? An auto supply store? All possible. Nor who made them. Nothing like them shows up in the reference books. I’m not even sure when they were made, but 1967 or ’68 is a good guess. Japanese guitarmakers were competing with the Europeans early on in the 1960s and some of the earliest ‘copying’ was of European models.
Fellow Torontonians Metric are on the move this month. The tour kicked off with back to back SOLD OUT shows in Toronto this past week. It was a treat to see Jimmy and Josh ripping up the stage with their new Eastwood AIRLINE guitars. Tour Dates: 09/28/05 Toronto ON The Phoenix Concert Theatre (all ages […]
I have hated the idea of scales all my playing life. I never use them (consciously), and never think them. I think melody. I don’t know, or care to know, the names of the various scales and modes. I know the major scale and see all others as being distortions of it. I am also aware that there is the chromatic scale (all twelve notes) to use at all times. You can link any interval with semitones if you so choose, any scale note to any other scale note, from any scale you care to name. It becomes a question of timing, to get to the note you want in the time left to do so, if you follow. All twelve notes are there for the asking.
While Mac and Joe ogled the frankly boring mid-’70s LP, I was ogling one of the most gorgeous guitars I’d ever seen. Later I found out it was a 1983 Electra Endorser X934CS. A set-in neck with no heel. Mahogany with a carved maple cap that had flame so deep you got high staring at it. Finished in cherry sunburst, my favorite.
George Harrison was my hero! OK, so he’s everybody’s hero, but you’ve got to understand, I’m a sitar player. The sitar is the love of my life – I love it more than my computer, more than my ’62 Telecaster, maybe even more than my orange tomcat who brings dead things into the house all the time.
SOLD OUT! We’ve had such great success with the Airline series that we are now producing new Eastwood Custom Shop models. Custom colors, custom pickups, knobs, pickguards… Different every time, less than 10 of each will be made. Includes hardshell case. Priced from $499-$999.
One of the most difficult aspects of playing an instrument, but the most rewarding when you’ve figured out how, is the art of playing solos. The ability to manipulate four octaves or so of notes into a coherent melody, on the fly, following (sometimes bending) the musical rules and pulling it off, is one of the best feelings going.
I have been playing guitar for 40 years. I have owned everything, from ES175 to a 58 Les Paul Std, 59 Strat, Travis Bean, Alembic, Cort, Samick, Guilds, G + Ls, you name it, I owned one. And you know what? If I see one more damn Les Paul, Strat or Tele I think I will vomit! Good lord, are they the most boring thing in theworld or what?& I love guitars that are different. I do NOT want to see another guy walking down the street playing the same guitar as me. There is a world of cool guitars out there and yet some guys have noimagination, they just play the same blankity blank guitars that everyone has had for the last 50 years!
Not much is known about Sekova guitars. They were imported from Japan by U.S. Musical Merchandise of New York City, one of many music distributors that once thrived in that fair city. Who actually made Sekovas in Japan also remains a mystery, but it’s similar to a Greco 921. Greco. Grecian. Geddit? Many, if not all, Grecos were built by the great Fuji Gen Gakki factory, the company that made most classic Ibanez guitars, so perhaps that’s where this originated.
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