I have been playing guitar for 40 years. I have owned everything, from ES175 to a 58 Les Paul Std, 59 Strat, Travis Bean, Alembic, Cort, Samick, Guilds, G + Ls, you name it, I owned one. And you know what? If I see one more damn Les Paul, Strat or Tele I think I will vomit! Good lord, are they the most boring thing in theworld or what?& I love guitars that are different. I do NOT want to see another guy walking down the street playing the same guitar as me. There is a world of cool guitars out there and yet some guys have noimagination, they just play the same blankity blank guitars that everyone has had for the last 50 years!
Not much is known about Sekova guitars. They were imported from Japan by U.S. Musical Merchandise of New York City, one of many music distributors that once thrived in that fair city. Who actually made Sekovas in Japan also remains a mystery, but it’s similar to a Greco 921. Greco. Grecian. Geddit? Many, if not all, Grecos were built by the great Fuji Gen Gakki factory, the company that made most classic Ibanez guitars, so perhaps that’s where this originated.
That’s the case with jazz guitar great John Abercrombie. It’s amazing to think that in his playing one can discern the influences of so many great players yet immediately tell, from the very first note, that none other than he could be playing.
I believe this story happened in about 1966, during my last year of high school at Paradise Valley High in Phoenix, Arizona. I was a wannabe rock ‘n roll guy and like most of my friends, always had a few guitars lying around. I had this one friend, Richard Guimont, who was not a musician, but his Mom just happened to own JD’s night club in Scottsdale.
Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai’s vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its repertoire in around 1954 and eventually became a player in the ’60s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although my impression is that their electronics were a little better than some contemporaries. Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, and Domino.
While the Pests downed a quick lunch, I grabbed a few instrumental odds & ends from the van and walked across the parking lot to the building with the huge sign, “Consumers Mall”. It’s one of those former discount stores, now indoor flea market which are popping up across the land in abandoned K-Marts, grocery stores and so on. One of the missions of our little band was the rescue of abused and/or neglected guitars, which we found on our journeys and there was a candidate for rescue inside.
Morris is the brand name used by a large Japanese manufacturer called Moridira. Little is known about their history, but by the mid-’70s they were a minor part of the Copy Era, though their forté seems to have been in acoustics. Many guitar fans think of the Copy Era as a time when Japanese companies made cheap knock-offs of American guitars and sold them to kids who couldn’t afford the real thing.
Awful as it sounds, it’s the truth. But don’t let it scare you off. The highest number I’ve ever heard in the context of music is 13, so you don’t have to be a genius to figure it out.
One of my students was around the other night and pointed out that even when I was playing his guitar (a beautiful Strat), I still sounded like me. It’s true – no matter what guitar or amp I plug into, I always sound like me. After 38 years of playing, it would be impossible for me not to. For a long time this bugged me. I guess because I was so used to “my sound”, I started to think it was pretty ordinary, and over the years I’ve made the odd attempt to change it. I can’t anymore.
Possibly no other single event inspired the creation of more garage bands than the first Ed Sullivan show featuring the Beatles. And likewise, probably no single company furnished more of the guitars and amps for young musicians than the Sears & Roebuck Company. While most of us would rather have started out with the Gretsch, Rickenbacker, Hofner, Vox and Ludwig gear we saw the Fab Four using, due to price and availability, it was the Sears catalog that supplied our first six-string.
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