I don’t go to guitar shows much any more. I should, because I have a lot of friends who ply the floor, but I’ve been on a guitar diet for several years now. And my friends always find something goofy for me to buy. That’s how I ended up with this mysterious and rare Takamine solidbody guitar from 1984. What the heck is this?! I didn’t know and the dealer who knew enough to bring it to me didn’t know either, but he knew I would have to have it!
Hello fans of all things strings, I hope you are all playing and learning and most of all enjoying your guitar experiences. The marriage of the electric guitar and electric bass has always been an integral part of the fabric that is rock and roll. I believe that the model and subsequent sound of the bass of choice for a group is actually more important then the guitar and its sound. Case in point could you picture James Jameson playing an Alembic bass, or Chris Squire playing an EB0? Me neither. So lets get into this, and I will give you my opinion on in what I believe to be the 10 most important basses in Rock & Roll history!
Hondo was founded by Freed and Tommy Moore in 1969 with the intention to open up guitar production in Korea, at that time a non-player in the guitar game. Japan had taken over from Europe as the primary supplier of budget-level guitars during the 1960s. However, even by the late ‘60s the success of the Japanese was being eroded by their very success and the strength of the yen. Americans, mostly as an after-effect of World War II, had little respect for Japanese products and weren’t willing to pay much for them, even if they were pretty good. When Nixon cut the dollar loose to float with other currencies on the free market, the yen went up, making Japanese products increasingly expensive, a problem in a prejudiced, price-sensitive market like the US.
Since its inception, legions of surf guitar players have engaged in heated debate about gear. Suffice it to say, everyone has an opinion. However, newbies often want a simple answer to the question, “What do I need to get going?” Below, I lay out the answers, based on the classic traditional surf sound of the Sixties. Whether you want to nail the sound with vintage gear, or whether you are on a budget, you’ll find useful guidelines here.
Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai’s vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its repertoire in around 1954 and eventually became a player in the ’60s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although my impression is that their electronics were a little better than some contemporaries. Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, and Domino.
Possibly no other single event inspired the creation of more garage bands than the first Ed Sullivan show featuring the Beatles. And likewise, probably no single company furnished more of the guitars and amps for young musicians than the Sears & Roebuck Company. While most of us would rather have started out with the Gretsch, Rickenbacker, Hofner, Vox and Ludwig gear we saw the Fab Four using, due to price and availability, it was the Sears catalog that supplied our first six-string.
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