Any time you identify a “first,” there’s always some other dude who shows up to spoil the party and own the claim. However, I think it’s safe to assert that the first company to use computer numerical control (CNC) carving machines to build guitars in the U.S. was Peavey Electronics.
Here are two examples of the Japanese made EPI Crestwood from the early 1970’s. The Epiphone ET Series guitars were solidbody guitars produced from 1970-1978 at the Matsumoku plant in Japan. In 1970, the decision was made to close down Kalamazoo production of Epiphones in favor of building them overseas in Japan. Epiphone decided to offer a new line of Japanese-built Epiphones that had more in common with other Japanese copies than previous Epiphone products.
In a Trekkean view of the electric guitar universe, space is populated by all sorts of exotic and unique tribes and creations. You got your Fendermen and Gibsonians and other assorted “normal” beings. Then you have a whole bunch of guitars related to potatoes, like Micro-Frets and Ibanez Musicians, frequently from the 1970s, as it […]
Even for someone as guitar promiscuous as me, some brands of guitar just don’t speak to me. Rickenbacker was always one of those brands for me. Not that there’s anything wrong with Rickys; it’s just a matter of personality. However, when I found out Rickenbacker made a guitar with slanted frets, that definitely piqued my interest!
Not to be confused with the recently re-issued California Rebel by Eastwood Guitars, the Domino Californian came out a few years earlier. Imported to New York by Maurice Lipsky Music Co., these Japanese guitars were part of a series of models branded “Domino” throughout the 1960’s.
If you Google this brand, 95% of the info is about acoustic guitars. But here is a very cool example of one of their electrics. Espana was a brand used by Buegeleisen & Jacobson of New York City, who imported guitars from Italy in the 1960’s. Although not this model, It appears these same guitars were imported into UK with the VOX brand.
Now that we’ve grabbed your attention, you may be surprised to find that it’s not that easy to write responsibly about a guitar with a shapely woman’s derriere replacing quilted maple on the top, but we’ll give it the old college try.
If you Google this brand, 95% of the info is about acoustic guitars. But here is a very cool example of one of their electrics. Espana was a brand used by Buegeleisen & Jacobson of New York City, who imported guitars from Italy in the 1960’s. It appears these same guitars were imported into UK […]
Even though I don’t frequent them often, I love classic car shows. The sight of those two-tone jobs—often done up in exotic colors like pastels or turquoise—always raises a smile of nostalgia, a glimmer of my youth when they were new and I had dreams of being able to hit the road. Kind of like how I feel when I look at this very nifty EKO Condor.
Among the popular performers of Hawaiian (and most other types of) music on the Vaudeville music hall circuit was Roy Smeck (1900-1994). Smeck was a talented instrumentalist who played guitar, banjo, ukulele, and lap steel guitar, earning the sobriquet “Wizard of the Strings.” Smeck made quite a few recordings and starred in part of the first “sound on disk” movie that was released in 1926. Like many other performers, Smeck endorsed a number of instruments by various manufacturers over the years, but is probably best known for the line of Harmonies introduced in 1927 with the pear-shaped Vita-Uke. Smeck’s name would be associated with Harmony instruments until near the end of the company’s run in 1973.
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