Possibly no other single event inspired the creation of more garage bands than the first Ed Sullivan show featuring the Beatles. And likewise, probably no single company furnished more of the guitars and amps for young musicians than the Sears & Roebuck Company. While most of us would rather have started out with the Gretsch, Rickenbacker, Hofner, Vox and Ludwig gear we saw the Fab Four using, due to price and availability, it was the Sears catalog that supplied our first six-string.
Most guitar aficionados know the story of Les Paul’s “log”. Remember, back in the ’40s, Les figured all he needed for the perfect electric guitar was a neck attached to a chunk of wood with some pickups on it. He built his log and it worked. But his audiences were disturbed by its look, so he cut up an Epiphone archtop and attached the sides to his log, satisfying his fans. Whether or not a guitar teacher in Green Bay, WI, named Dave Helland knew about Les’ log, he too arrived at a similar conclusion. “Heck”, thought Dave, “You could put a neck on a 2-by-4 and have a guitar.” And when one day he met up with the folks from the Holman-Woodell guitar factory in Neodesha, KS, that’s just what he did. The La Baye 2×4 Six, Four and Twelve were born. La Baye because, if you know your geography, his hometown sits on a – well, look at a map!
The Eastwood Hi-Flyer Johnny Ramone version is a beautiful reproduction of the Univox Hi-Flyer from the early 1970’s, but with a stop tail. The carved Basswood body is mounted to a set maple neck for an incredibly solid design that can take as much abuse as you can throw at it. Two powerful P90 pickups kick out an incredible bite for the buck. Available in Black, White and White left-hand.
Back in 1984 Ovation put out a high-end guitar to compete with Gibson’s Les Paul. The Ultra GP Series. At the time, it was priced at about $400, the same price as a Les Paul. Guess what, they didn’t sell. Not because of the design – it was an incredible guitar – but tough to complete with Gibson head to head with a guitar from a company that is famous for acoustics. Consequently, only 400-500 were made. Recently the GP has become a sought-after vintage and prices have soared over $2,000 each. Last year I got tired of trying to find an original and decided it was time for Eastwood to get the re-issue machine cranked up again.
Our pal, our drummer had The Beatles in his house!! His Pool! His room! And he could’nt tell a soul!! Our lives were changed that weekend. We were already Fanatics and had all the records and had already cut back on the surf music! The show was awesome, you saw it too! I buzzed on this for years! That Life magazine cover story was shot in the Shindler’s pool, on their diving board! In 51 years of living that weekend of laying around totally bummed out and dejected is one of the best couple of days I ever had!
While related, keeping a guitar in tune and having a guitar play in tune up and down the neck are two different issues. If your guitar stays in tune but the chords sound out of tune as you go further up the neck and closer to the body, this is the article for you. Having your guitar play in tune up and down the neck is generally referred to as intonation.
When I first learned of this guitar, it was known among cognoscenti as the State of Ohio guitar. I once wrote and essay in which I dubbed it The Ugliest Guitar In The World. All of us had a point. The real name, however, is the Kay Solo King K4102, and it dates to that heady period just before guitars really took off in 1960. Clearly somebody was hung over at Kay that day! When I got a chance to actually have one, how could I pass it up?
Just because the guitar has six strings doesn’t mean you have to constantly go looking for six-note chords, especially if you are playing in a combo of some sort. Remember, barre chords use repeat notes to make up the full six strings. Sometimes its better to use bits and pieces of a chord than the full version. It’s easier to insert as a part, and more compact-sounding in a band situation.
I finally joined the late 20th century and bought a decent computer. I’ve been working on an Apple Mac LC-475 for 6 or 7 years. Tiny little thing. I was just about to switch over to a PC when I had a good look at the iMac brochure. After due consideration, weighing up all the pros and cons, comparing the two technologies, I decided that having a green computer was the only way to go. Green, to match the philodendrum that sits next to my desk. Seriously though, I’ve always admired the wonderful logic of Macs, and I found a shop here in Brisbane that were doing a good deal on them.
This is not an article about why you shouldn’t drink. It is, however, probably one about why I shouldn’t drink. Many musicians, maybe even most, can drink and keep their equipment. Me? No dice. I lost really cool guitars, amps, effects – you name it, I had a knack for losing it.
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