Guitar history has yielded some very odd marriages, from a business perspective, at least. While these can be found at almost any time, perhaps the glory days of unusual conjunctions was the 1960s, when cascading demand for electric guitars among maturing Baby Boomers caused corporations, both with and without music industry experience, to realize that thar’s gold in them thar hills. Among the odder of these unions was that between Chicago’s Heads & Threads company and Norma, Noble, and even National guitars.
I love the classic guitar shapes. They’re what attracted me to the guitar oh those many years ago. But as you can probably tell from these little essays, I’m also a sucker for a pretty face. Pretty weird, that is. Like this 1983 Electra Lady XV1RD with a Little Dutch Girl shape!
While Mac and Joe ogled the frankly boring mid-’70s LP, I was ogling one of the most gorgeous guitars I’d ever seen. Later I found out it was a 1983 Electra Endorser X934CS. A set-in neck with no heel. Mahogany with a carved maple cap that had flame so deep you got high staring at it. Finished in cherry sunburst, my favorite.
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