Guest blogger Michael Wright tells us more about this rare 1968 semi-acoustic model by Yamaha. Exquisite, and quite special for sure, and the inspiration for the new Eastwood Custom Shop SA-15. My first guitar was one of those legendary acoustics with 3/4″ action, outfitted with heavy gauge (one gauge only) Black Diamond strings. I was […]
Find out more about JG Guitars – former New York accordion makers who turned to guitars. Guest blogger Michael Wright thinks it was a good move… and got the guitar to prove! I’ve always had a love-hate relationship with accordions, largely due to my forehead-slapping reaction to being forced to watch the Lawrence Welk […]
The 1984 Aria Pro II RS Series Rev Sound RS-E is much more than a Strat lookalike. Guest blogger Michael Wright explains why he loves this rare and very special model… Most guitars first speak to me as visual works of art. The color, the shape, or some sort of unique design. Or it might be […]
Can a brand new guitar be better than a legendary, vintage one? Mosrite vs. Sidejack: Which One Is Better? This is a tougher question that you might’ve thought… Before we start a fight, let’s be clear: we LOVE Mosrite here at My Rare Guitars, as Mike himself made clear in previous blogs. They sound amazing, […]
Offset Guitars have been, for a long time, a favourite amongst alternative rock and indie rock players. Let’s have a look at a forgotten classic – the Teisco TG-64, now being reissued by Eastwood. Don’t get us wrong – we love a good Jazzmaster, Jaguar or Mustang. Fender was and still is the big daddy […]
For this last musing on ugly duckling guitars, let us turn our attention to this example from Japan, this Guyatone LG-160T. The Fenton-Weill Tux-master we contemplated was pretty much unrelentingly ugly, only redeemable if you fondly remember it from your youth. The Burns UK Flyte was more of a space oddity than especially ugly, but it sure didn’t grow on me, at least. However, some unusual guitars do eventually win your heart over the more you stare at them. I think that this is the case here.
Last week I opined about my penchant for unusual, not to say, ugly guitars like the Fenton-Weill Tux-master from England. Now, I don’t mean to throw (rolling) stones—the States has produced its share of butt-ugly guitars—but Merry Old England has contributed mightily to the cause. And even though he’s revered in the U.K. as their very own Leo Fender, Jim Burns has had a hand in more than a few guitar models that might crack a mirror if they could see themselves. One case in point: the Burns Flyte.
If you’re a young person, you probably don’t have much of a reaction to the adjective “Commie.” You might know that China is still officially “Communist,” but so fiercely Capitalistic that any associations with Mao are hard to parse out. Ditto Russia and Lenin and Stalin. You’ve got to find an old map to locate the “former Soviet Union.” But, if you’re an old fogey like me the term is full of “complex notes” as the vinophiles would say. What has this to do with guitars, you ask?
If you’ve read even a little of my writing about guitars over the years, you know I’m fatally attracted to unusual guitars. There’s a reason I’m “The Different Strummer.” But even I have to admit some guitars are just plain ugly. A case in point: the Fenton-Weill Tux-master from England, a country (sorry, friends) that has more than its share of these birds.
If you’d have told me I was going to write an appreciation of a guitar like this Dean Z Autograph—let alone any Korean-made guitar—back in the ‘80s, I probably wouldn’t have laughed outright, but I certainly would have been skeptical. Then again, a good many of us probably couldn’t have imagined people writing books about or paying premium collectible prices for Japanese guitars back in the early ‘70s. Times change and reality and history intervene to challenge our preconceptions!
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