For this last musing on ugly duckling guitars, let us turn our attention to this example from Japan, this Guyatone LG-160T. The Fenton-Weill Tux-master we contemplated was pretty much unrelentingly ugly, only redeemable if you fondly remember it from your youth. The Burns UK Flyte was more of a space oddity than especially ugly, but it sure didn’t grow on me, at least. However, some unusual guitars do eventually win your heart over the more you stare at them. I think that this is the case here.
Well, well, well. What have we here? On the surface, of course, it’s a 1968 Guyatone LG-350T Sharp 5. A sight little seen in North America, but not uncommon in Japan, at least once upon a time. And if it makes you think of a little bit of a Mosrite on drugs, well then you’re not too far off the mark! Welcome to a bit about the Ventures and the early world of copy guitars!
Who among us doesn’t relate to Nigel Tufnel in This Is Spinal Tap when he tried to explain to “Meathead” that having an 11 on his amp made it louder than – and hence superior to – one having a mere 10? That’s just how I felt back in the day when, after nearly two decades of owning one – that’s only one – guitar, a classical, I decided I ought to get an electric guitar again. Who could have known how slippery that slope would turn out to be?!
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