As promised, this month we’ll take a look at the results of The Tone Survey. Last month, I published a survey that asked questions about the state of electric guitar tone as it is today vs. what I called the “golden age” of rock and roll.
This month’s article is interactive! That’s right, you have an opportunity to voice your opinion and I’ll publish the collective feedback next month. The topic is: branding.
Tradition is a powerful thing and change is hard to make. But, if you consider how tone controls affect an amp’s signal chain, investigate what a guitar and amp sound like with minimal tone controls (or none!) and then decide if you really need them, you might be surprised at your conclusion.
One thing I have noticed over the thirty years I have been playing guitar is that guitars have their own sound no doubt, but amplifiers do “reproduce” the sound of the electric guitars differently. Case in point, the Les Paul guitar coming out of a vintage Marshall an amp with plenty of treble, sounds fat yet cuts through nicely. I believe the same thing for a Les Paul running through a blackface Super Reverb, it cuts beautifully. Put that same Paul through say a Tweed Pro or a first run Ampeg Reverberocket and it sounds muddy and has trouble cutting through especially using the neck pickup. IMHO a sure test of a good Paul is does the neck pickup have some bite to it.
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