Guest blogger Rob Roberge let’s his guitarist imagination run loose, and comes up with his ideal combinations of Eastwood guitars and classic, vintage amps. An interesting read… One of the coolest movements in pedals over the last decade or so is the ‘amp-in-a-box’ pedal. Many have been around a while (Tech 21’s Blonde and the […]
Guest blogger Rob Roberge remembers his search for the perfect vintage, cheap amps – back at a time when they were actually pretty damn cheap. Those were the days… I have a buddy who used to write about cheap vintage gear—this is going back to the late 90’s and early 21st century (maybe up till […]
Thinking about buying a new guitar amp – perhaps even your first one? Then this new post by guest blogger Alex Frank is here to help! Ready to buy your new – and perhaps even first – guitar amp? The first thing YOU need to know is: how do you plan to use your amp? […]
Last month, we left off with a team in place to design, prototype, test, and market the new line of Magnatone amplifiers. This month we look at each series and model of the new Magnatone line and the features of each, including the world famous pitch-shifting vibrato circuit.
Magnatone was started in 1946 by Art Duhamell, who purchased the Dickerson Musical Instrument Manufacturing Company. Dickerson was a small, Southern California builder who produced lap steels and amplifiers. Dunhamell changed the name to Magnatone a division of his Magna Electronics Company in Los Angeles. Magna also produced record players, speakers, radios and organs as well as amplifiers under brands such as ToneMaster, DaVinci, Pac-Amp, and Estey. The Estey organ’s vibrato circuit was integral in the birth of the famous Magnatone pitch shifting vibrato feature,(but more on that later). Though Magnatone had a good run of building some of the first, high fidelity, innovative, “boutique” amps to hit the market, the company was plagued by mergers and buy outs, poor business decisions, and bad investments. In the end, Magnatone was no more by the end of the 1960’s.
Today, we have the long overdue follow-up to the “10 Classic Guitar Amps” article by Ben Fargen of FargenAmps.com. Ben’s first post has become one of the most popular articles ever published on this site, so we asked Ben another list of definitive amps and songs. Be sure to let us know what you think in the comments section below!
Hey everyone! Ben Fargen here from Fargen Custom Amps & Mods. I was asked to write a post for MyRareGuitars.com, so I thought I’d write about some famous songs and amplifiers. I’m really looking forward to your comments, so let me know which songs and amps you would include in this list. Thanks!
I believe that a guitar amp doesn’t need to have more than 50 watts of power – ever! Heh! I can hear the clicking of many keyboards preparing their rebuttals to that comment! It’s never wise to make such a sweeping generalization. But there is some sense behind my comment – at least I think so! My belief that more than 50 watts is a waste has to do with where guitarists play, the type of equipment available in live venues if a guitarist gigs, and how output power affects a guitar amp’s performance.
I’ve only owned two Kay tube amps, and they were both keepers. One was a pretty standard (for its era) dual 6V6 with tremolo (a really rich and deep tremolo). It had a tone pretty close to the Silvertone 1482, its Dano-made Airline counterpart, the rare 1964 Ampeg Reverberocket with 6V6’s (wow, what an amp!) Lectrolab 600B (though this is the best of the bunch, IMO) and any number of other cheapie versions/variations of a Tweed Deluxe.
As promised, this month we’ll take a look at the results of The Tone Survey. Last month, I published a survey that asked questions about the state of electric guitar tone as it is today vs. what I called the “golden age” of rock and roll.
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