No matter what you think of Ovation guitars, you have to hand it to them for trying, and I mean trying hard. Their application of helicopter technology to acoustic guitars is the stuff of legends. I’m always blown away by how good the synthetic materials sound when you just don’t expect them to compare to traditional timbers. I confess Ovation’s choice of aesthetics has often been baffling, but some of that is attributable to the times in which they emerged. All of the above certainly applies to Ovation’s Quixotic attempts to break open the solidbody guitar and bass market.
I don’t go to guitar shows much any more. I should, because I have a lot of friends who ply the floor, but I’ve been on a guitar diet for several years now. And my friends always find something goofy for me to buy. That’s how I ended up with this mysterious and rare Takamine solidbody guitar from 1984. What the heck is this?! I didn’t know and the dealer who knew enough to bring it to me didn’t know either, but he knew I would have to have it!
Back in 1984 Ovation put out a high-end guitar to compete with Gibson’s Les Paul. The Ultra GP Series. At the time, it was priced at about $400, the same price as a Les Paul. Guess what, they didn’t sell. Not because of the design – it was an incredible guitar – but tough to complete with Gibson head to head with a guitar from a company that is famous for acoustics. Consequently, only 400-500 were made. Recently the GP has become a sought-after vintage and prices have soared over $2,000 each. Last year I got tired of trying to find an original and decided it was time for Eastwood to get the re-issue machine cranked up again.
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