I love playing the “what if?” game. You know, like “What if farmers had rotated crops instead of planting the same darned thing every year back in the 1930s?” Crop patterns and guitars? Yeah, because it was the Dust Bowl during the Great Depression, caused in part by poor farming practices meeting drought, that sent legions of Okies and Texans west into California. That led to a rage for Western Swing and then the Bakersfield Sound. And without the products of that cultural collision we might not have had Fenders or… wait for it… Carvins.
I’ve always had a bit of a taste for plastic on my guitars. Oh, don’t get me wrong. I love flamed and quilted maple, rich ribbon mahogany, Brazilian rosewood, abalone pearl. But there’s something so wonderfully cheesy about the use of plastic on a guitar. I guess that’s one of the reason why I like this otherwise relatively humble Italian-made Gemelli 195/4/V from around 1965.
It’s once again time to take stock of what’s happening in the world of tube guitar amps. I’ll examine some interesting happenings in 2009, make some predictions and revisit Tube Tone Crystal Ball 2009 to see if any of last year’s guesses came true!
I hope that for the people who admire, collect and play original Danelectro guitars and amplifiers (or the Silvertone and Airline products my dad also created), this tribute will give a new appreciation for these old instruments, because the essence of the Danelectro story is Nat Daniel’s lifetime of innovation.
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