One of the highlights of life back when I was a youngster was the arrival of the latest Sears or Montgomery Ward catalog. Anything you desired could be delivered right to your door. A lot of my early knowledge about guitars (and lingerie) came out of those “wish books.” One piece of that knowledge, however, wasn’t about this Sears Silvertone because when it was made in 1965, Sears only sold Japanese-made guitars through its retail store outlets, not through its catalogs!
And this month, I sing the praises of another obscure and beautiful amplifier, in this case a 1966 Lectrolab S 400. I’ve seen a few Lectrolabs over the years and they are all pretty cool amps. The 400 series seem to be (and this is based only on observation and scattered information. No one seems to know very much about these) all single-ended small amps with a single EL84 for output and one or two eight inch speakers. The 600 series are more in the 15-20 watt range with either two 6V6’s or two EL84’s (driving a twelve inch speaker), depending on the year. And the 800 series, which I’ve never seen in person, I haven’t been able to find much about, other than that they seem like later versions of the 600’s. The 900 series are El84-equiped heads (very rare).
When I first learned of this guitar, it was known among cognoscenti as the State of Ohio guitar. I once wrote and essay in which I dubbed it The Ugliest Guitar In The World. All of us had a point. The real name, however, is the Kay Solo King K4102, and it dates to that heady period just before guitars really took off in 1960. Clearly somebody was hung over at Kay that day! When I got a chance to actually have one, how could I pass it up?
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