In keeping with the Domino theme this month, let’s take a look at the Domino Beatle Bass. Imported to New York by Maurice Lipsky Music Co., these Japanese guitars were part of a series of models branded “Domino” throughout the 1960’s.
By the later ‘60s—especially with the advent of transistor circuits—musical instrument designers began to come up with electronic methods for creating distortion and other special effects suitable for the psychedelic frame of mind of the guitar’s audience! Sometimes this was an external device, sometimes it was built into the amplifier, and sometimes, like on this 1967 Hofner 459TZ, it was put right into the guitar itself!
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