Many Beatles fans are not aware that Paul McCartney played more than just his Hofner Bass, especially since that was his main instrument seen in their live performances and music videos. Paul in fact used other basses as well as guitars. This article will show you several instruments Paul used with the Beatles that you may not have known about.
Now, here’s a piece of guitar history that proves there’s more than meets the eye, a circa 1967 Cameo 1402T! It wasn’t that long ago that violins were considered the superior cousin to its distant relative, the guitar. You know: violins equal classical music equals high class. Guitars equal popular music equals you dancing fool you!
By the later ‘60s—especially with the advent of transistor circuits—musical instrument designers began to come up with electronic methods for creating distortion and other special effects suitable for the psychedelic frame of mind of the guitar’s audience! Sometimes this was an external device, sometimes it was built into the amplifier, and sometimes, like on this 1967 Hofner 459TZ, it was put right into the guitar itself!
Hello fellow guitar nuts, I just returned from the Eastwood guitar complex in Toronto. While sunning myself in the Great North I performed some tasks for Eastwood, some of those tasks were the video clips of some of Eastwood’s basses. I actually was a bass player for many years before switching over to guitar. As I was playing the basses, I thought back to the guys that influenced me and some of my friends in the bass genre. So…this months column will focus on the electric bass and some of its most influential players.
Enter exhibit A: A late 60’s KENT short scale variation on the very popular (then and now) “Beatle” violin shaped bass. As you can see from the photos, this isn’t your average violin bass. While many, from the classic Hofner that Paul McCartney turned a few kids on to, to the Teisco and Black Jack Japanese models, didn’t stray far from the violin shape, this Kent takes a few attractive and stylish liberties with the standard template.
Now, these are known as Shaggs models because they’re what the Shaggs played, not because of some big corporate endorsement deal! No one knows who sold the Avalon brand. Mailorder? An area music store? An auto supply store? All possible. Nor who made them. Nothing like them shows up in the reference books. I’m not even sure when they were made, but 1967 or ’68 is a good guess. Japanese guitarmakers were competing with the Europeans early on in the 1960s and some of the earliest ‘copying’ was of European models.
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