Morris is the brand name used by a large Japanese manufacturer called Moridira. Little is known about their history, but by the mid-’70s they were a minor part of the Copy Era, though their forté seems to have been in acoustics. Many guitar fans think of the Copy Era as a time when Japanese companies made cheap knock-offs of American guitars and sold them to kids who couldn’t afford the real thing.
When I first learned of this guitar, it was known among cognoscenti as the State of Ohio guitar. I once wrote and essay in which I dubbed it The Ugliest Guitar In The World. All of us had a point. The real name, however, is the Kay Solo King K4102, and it dates to that heady period just before guitars really took off in 1960. Clearly somebody was hung over at Kay that day! When I got a chance to actually have one, how could I pass it up?
Who among us doesn’t relate to Nigel Tufnel in This Is Spinal Tap when he tried to explain to “Meathead” that having an 11 on his amp made it louder than – and hence superior to – one having a mere 10? That’s just how I felt back in the day when, after nearly two decades of owning one – that’s only one – guitar, a classical, I decided I ought to get an electric guitar again. Who could have known how slippery that slope would turn out to be?!
For the past few years I had been looking for a really nice Mosrite Ventures Model Vintage guitar. Prices ranged from $1,500 to $4,000 depending on the year and the condition. Last year an angel descended on eBay with 35 NOS Mosrite guitars that were built in 1987. These guitars were all brand new and were never sold. They were stored in a warehouse for 14 years. Unbelievable! They were auctioned off one by one, week after week, until they were all gone. I bought the 13th one that sold. I was not disappointed.
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