Guitar, check. Amp, check. Cables, check. Effects, check. You’ve got all the gear necessary to get a great sound on stage. Aside from the guitar player’s skill, why do some sound better than others? This month we’ll look at a few aspects of getting a good live sound. While this article is mostly aimed at those of us with who have don’t have much or any stage experience, there may be something of interest here for almost anyone.
The days, weeks, months, and years of shedding and learning your craft are behind you. You are a guitar player, capable of making a living at this noble craft, but now what? Here is what, I think, are some tasks that will take you to the next level.
I hope you good folks have enjoyed my column so far. This column will be unlike the others as there will be not be so much technical “guitarspeak”. There will only be the truth as I know it, about being a gigging guitar player in the sometimes unfriendly world of clubs, bars and venues big and small.
I’ve been earning a living with my guitars now for thirty odd years. I did a stint as a commercial artist for a couple of years when I finished high school — I say commercial artist, what I mean is I worked in a commercial art studio learning the ins and outs — but after a couple of guitar playing jobs I decided to focus on music as a career. I could earn more in a couple of nights playing than in a week of the day job.
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