Guitar, check. Amp, check. Cables, check. Effects, check. You’ve got all the gear necessary to get a great sound on stage. Aside from the guitar player’s skill, why do some sound better than others? This month we’ll look at a few aspects of getting a good live sound. While this article is mostly aimed at those of us with who have don’t have much or any stage experience, there may be something of interest here for almost anyone.
And, last but definitely not least in this roundup is this month’s crazy eBay find: The Electra EP 350 Flat Response Tape Echo. Like the Roland, this is a combination unit (the Electra carries a reverb along with the tape delay, rather than a chorus). Unlike say, an Echoplex, the Electra doesn’t use a tape cartridge – but rather has a loop of tape running free on one side, then it gets fed over six heads as it travels around a see-though top (which is just too cool).
This month’s column will feature some of my favorite vintage pedals and effects. These choices will be from my point of view and experience, and as I cannot with expertise speak about effects that I cannot use in the type of music I play (which is blues, old school country, classic rock and 50’s and 60’s R&B). I again welcome all suggestions for your favorite effects.
This is not an article about why you shouldn’t drink. It is, however, probably one about why I shouldn’t drink. Many musicians, maybe even most, can drink and keep their equipment. Me? No dice. I lost really cool guitars, amps, effects – you name it, I had a knack for losing it.
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