It was late 1969 early 1970. I was 13 years old and had been learning guitar for about a year when I was given what I considered to be the key to a world of freedom. Mum & Dad said it was ok for me to setup my room in a shed inside Dad’s garage. The shed was the size of a small bedroom, about eight by ten in the old measurements. It was originally built from scraps of recycled building material from a 100 year old house and was initially used as a tool shed.
One thing I have noticed over the thirty years I have been playing guitar is that guitars have their own sound no doubt, but amplifiers do “reproduce” the sound of the electric guitars differently. Case in point, the Les Paul guitar coming out of a vintage Marshall an amp with plenty of treble, sounds fat yet cuts through nicely. I believe the same thing for a Les Paul running through a blackface Super Reverb, it cuts beautifully. Put that same Paul through say a Tweed Pro or a first run Ampeg Reverberocket and it sounds muddy and has trouble cutting through especially using the neck pickup. IMHO a sure test of a good Paul is does the neck pickup have some bite to it.
I’ve been playing the electric twelve string guitar professionally for the last 16 years in my band The Carpet Frogs. Guitar players have often complimented me on the tone of my electric 12 string and have asked me how I get that “authentic” sound! For me, it all started with the two Godfathers of the electric 12 string: George Harrison of the Beatles and Roger McGuinn of The Byrds. Obviously, the first ingredient is a great 12 string. The Granddaddy of them all is the Rickenbacker 12 string.
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