Go ahead, admit it. If someone told you there was a cool Sixties guitar with a factory setting called “Wild Dog” (or maybe even one called “Split-Sound”), you’d want one, wouldn’t you? Of course you would. That’s why, once I found out about the Burns Jazz Split-Sound, it went straight to the top of my wish list. But sometimes when you get what you wish for it doesn’t live up to the hype!
My first home recording set up was an Akai ¼ inch 2 track and a Harmon Kardon cassette deck, no EQ, the only effects I had were a few effects pedals. I would program one of my primitive drum machines or use a factory preset non-programmable rhythm machine while I was recording that I would usually add my bass or rhythm guitar. And after a suitable take I would ping pong the tracks back and forth from the 2 track to the cassette, adding effects on the fly.
I believe this story happened in about 1966, during my last year of high school at Paradise Valley High in Phoenix, Arizona. I was a wannabe rock ‘n roll guy and like most of my friends, always had a few guitars lying around. I had this one friend, Richard Guimont, who was not a musician, but his Mom just happened to own JD’s night club in Scottsdale.
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