In a Trekkean view of the electric guitar universe, space is populated by all sorts of exotic and unique tribes and creations. You got your Fendermen and Gibsonians and other assorted “normal” beings. Then you have a whole bunch of guitars related to potatoes, like Micro-Frets and Ibanez Musicians, frequently from the 1970s, as it […]
As a rule, I’ve never been too enamored of “pop” music, if you define pop as largely vocal-oriented music with catchy melodies and easy-to-remember lyrics, almost always love-themed. So, ordinarily, a pop band like The Police would be off my radar. Still, Andy Summers was able to weave some pretty interesting guitar textures—without traditional flash solos—behind Sting’s singing, so I paid attention. Besides, it was Andy Summers who almost single-handedly created a market for minimalist guitars like this c. 1985 Austin Hatchet.
Maybe it was punk rock, with its rejection of good guitar playing. You know, any old bloke can bash on a guitar and who cares if it’s in tune. More likely it was punk’s more popified successor New Wave which opted for tasty yet understated guitar textures (in tune), though still without the slashing guitar solos, matching costumes accepted. Think Andy Summers and the Police. Whatever the cause, right at the beginning of the 1980s a new type of guitar appeared on the scene. An understated, minimalist guitar with no head, like this 1986 Ibanez take on the form, the Axstar AX75!
Whatever you call this instrument, the Gittler certainly pushes the envelope of what is a guitar! Alan Gittler (born in 1928) was originally a jazz guitarist in New York, heavily influenced by Remo Palmieri. He played music, composed, and even wrote and produced a film called Parachute to Paradise. He worked as a film editor for many years, invented a number of photographic-related devices, and even wrote a novel.
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