Jeopardy Quiz: When do you think this Bunker guitar was made? When I first laid eyes on it, I was pretty sure it was from the late 1970s. It just has that ‘70s “natural” kind of vibe. Well, the correct response would be, “What is 1968?” I was shocked. This matched none of my presuppositions about guitars from the Sixties. But then, Dave Bunker has made a career out of being ahead of his time with the unexpected.
In a Trekkean view of the electric guitar universe, space is populated by all sorts of exotic and unique tribes and creations. You got your Fendermen and Gibsonians and other assorted “normal” beings. Then you have a whole bunch of guitars related to potatoes, like Micro-Frets and Ibanez Musicians, frequently from the 1970s, as it […]
As a rule, I’ve never been too enamored of “pop” music, if you define pop as largely vocal-oriented music with catchy melodies and easy-to-remember lyrics, almost always love-themed. So, ordinarily, a pop band like The Police would be off my radar. Still, Andy Summers was able to weave some pretty interesting guitar textures—without traditional flash solos—behind Sting’s singing, so I paid attention. Besides, it was Andy Summers who almost single-handedly created a market for minimalist guitars like this c. 1985 Austin Hatchet.
How often have you ever walked into a music store—an admittedly increasingly exotic experience in this internet age—and had the salesman practically beg you to buy a guitar at a bargain basement price? My guess is not often! Nevertheless, that’s exactly what happened to me with this 1990 PBC GTS 200S!
There’s not much I know about St. Moritz, Switzerland (or Aspen, for that matter). There’s not even much I know about this St. Moritz stereo guitar. But I’m pretty sure I like all of them. Certainly I love this guitar, which is pretty revolutionary.
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