In Dave Hunter’s great book, The Guitar Amp Handbook, he asks several respected boutique amplifier makers about any sleepers out there on the vintage market (i.e., any great sounding amps that aren’t going for the at-time obscene money that even a Silverface Fender is fetching on the market these days’ though many of them are, of course, fine amps.). Ken Fischer (of Trainwreck fame) talks about a couple of amps that he claims compare favorably to a Marshall 18 Watt Model & the Early Ampeg Reverberockets (AKA Reverbrockets to some), and the Harmony 415, made by Valco in the mid to late 1960’s.
So what did I buy? A late 1940’s Fidelity amp, of course. Haven’t heard of Fidelity? Me, neither. But it met the needs. It was very light an easy to carry. As for meeting my volume needs…it was VERY quiet. Dead quiet. As in, silent. So, that part needed some work. Sixty bucks. Not bad. Less than an assembly-line stomp box. It looked like a 50’s space heater in crap brown with tootsie roll brown and vanilla cream paint and chicken head knobs. Score, Daddio.
You dig oddball guitars and strange, rare equipment. Sure, a Fender Telecaster is a great guitar (I have a 1969, and I love it), but there’s something about the weird ones that pulls you in or you wouldn’t be reading this newsletter. Fenders, Gibsons and the rest of the big boys are fine, but if you want a guitar that looks like a kitchen counter, perhaps made out of something more…uh…interesting or futuristic than wood…or one with more buttons than your uncle’s accordion (and you know you do!), you are forced off the beaten path to find your treasure.
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