I’ve only owned two Kay tube amps, and they were both keepers. One was a pretty standard (for its era) dual 6V6 with tremolo (a really rich and deep tremolo). It had a tone pretty close to the Silvertone 1482, its Dano-made Airline counterpart, the rare 1964 Ampeg Reverberocket with 6V6’s (wow, what an amp!) Lectrolab 600B (though this is the best of the bunch, IMO) and any number of other cheapie versions/variations of a Tweed Deluxe.
I wasn’t in the market for any more amps, but how could I pass up this Lafayette LA-75? A buddy of mine (thanks Rob S.!) sent me an email, letting me know that this baby was on ebay for a really good price and that I should snatch it up. “If you love the (Valco-made) Harmony 415,” he said, knowing it was one of my favorites, “you’ll love this one. Similar output and tone, only out of one 12” instead of two.” And he was right—and then some. I do love the duel EL84 Valco/Harmony 415, but I think I like this little sleeper even more.
One of the true major players in oddball amps, the Silvertone 1484 guitar amp is pretty well known. It’s so well know, that it may not actually qualify as an oddball amp. But it’s still from the great Nat Daniel, the man behind the awesome kings of Masonite and lipstick pickups and wallpaper-as-Tolex’ the Danelectro company, who designed and produced some of the greatest oddball amplifiers ever done.
In Dave Hunter’s great book, The Guitar Amp Handbook, he asks several respected boutique amplifier makers about any sleepers out there on the vintage market (i.e., any great sounding amps that aren’t going for the at-time obscene money that even a Silverface Fender is fetching on the market these days’ though many of them are, of course, fine amps.). Ken Fischer (of Trainwreck fame) talks about a couple of amps that he claims compare favorably to a Marshall 18 Watt Model & the Early Ampeg Reverberockets (AKA Reverbrockets to some), and the Harmony 415, made by Valco in the mid to late 1960’s.
You dig oddball guitars and strange, rare equipment. Sure, a Fender Telecaster is a great guitar (I have a 1969, and I love it), but there’s something about the weird ones that pulls you in or you wouldn’t be reading this newsletter. Fenders, Gibsons and the rest of the big boys are fine, but if you want a guitar that looks like a kitchen counter, perhaps made out of something more…uh…interesting or futuristic than wood…or one with more buttons than your uncle’s accordion (and you know you do!), you are forced off the beaten path to find your treasure.
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