New Eastwood Bass Model coming next month! Here is a sneak peak at the new Eastwood MAGNUM Bass, the first 34″ scale BASS from Eastwood in many years. A tribute to the 1970’s Ovation Magnum Bass.
Hello fellow guitar nuts, I just returned from the Eastwood guitar complex in Toronto. While sunning myself in the Great North I performed some tasks for Eastwood, some of those tasks were the video clips of some of Eastwood’s basses. I actually was a bass player for many years before switching over to guitar. As I was playing the basses, I thought back to the guys that influenced me and some of my friends in the bass genre. So…this months column will focus on the electric bass and some of its most influential players.
Tradition is a powerful thing and change is hard to make. But, if you consider how tone controls affect an amp’s signal chain, investigate what a guitar and amp sound like with minimal tone controls (or none!) and then decide if you really need them, you might be surprised at your conclusion.
My first home recording set up was an Akai ¼ inch 2 track and a Harmon Kardon cassette deck, no EQ, the only effects I had were a few effects pedals. I would program one of my primitive drum machines or use a factory preset non-programmable rhythm machine while I was recording that I would usually add my bass or rhythm guitar. And after a suitable take I would ping pong the tracks back and forth from the 2 track to the cassette, adding effects on the fly.
I was determined to find something that would allow for my inner bass player to come out – and then I discovered the wonderful world of baritone guitars. You know, those extended scale things with strings as thick as a bass that are an octave lower than a regular guitar. Yes, Nirvana was at hand!
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