Vegematic Guitars By Michael Wright The Different Strummer As with our old friend Nigel Tufnel, that more is better goes without saying. Why play an amp at 10 when you could play at 11? I’ve bought guitars just because they had 4 pickups. And I’d for sure be interested in a guitar like this Hagstrom Impala […]
By Michael Wright The Different Strummer It’s curious how wildly tastes can swing in a relatively short period of time. When, in the 1967 classic movie The Graduate, Murray Hamilton (Mr. Robinson) leans in to advise Dustin Hoffman (Benjamin Braddock) to consider a predictably successful future in “Plastics,” the very concept of “plastic” was […]
Even though I don’t frequent them often, I love classic car shows. The sight of those two-tone jobs—often done up in exotic colors like pastels or turquoise—always raises a smile of nostalgia, a glimmer of my youth when they were new and I had dreams of being able to hit the road. Kind of like how I feel when I look at this very nifty EKO Condor.
EKO was an Italian manufacturer located in Recanati, Italy. Their products include classical guitars, 12-string guitars, arch top guitars, electric guitars and acoustic bass guitars. EKO guitars gained high popularity during the rock’n’roll craze of 1960s, becoming the largest guitar exporter in Europe. Their electric models were often highly ornamented with pearl, featured 3 or 4 pickups and recognizable “rocker” switches for pickup selection. The acoustic models were popular in country and folk rock bands of the late ’60s.
I’ve always had a bit of a taste for plastic on my guitars. Oh, don’t get me wrong. I love flamed and quilted maple, rich ribbon mahogany, Brazilian rosewood, abalone pearl. But there’s something so wonderfully cheesy about the use of plastic on a guitar. I guess that’s one of the reason why I like this otherwise relatively humble Italian-made Gemelli 195/4/V from around 1965.
In many ways, the spectacular Japanese-made 1982 Daion Savage Power Mark XX shown here was the offspring of something intended to end, or at least seriously damage, Japanese guitar-making itself… In other words, this guitar shouldn’t exist.
Since its inception, legions of surf guitar players have engaged in heated debate about gear. Suffice it to say, everyone has an opinion. However, newbies often want a simple answer to the question, “What do I need to get going?” Below, I lay out the answers, based on the classic traditional surf sound of the Sixties. Whether you want to nail the sound with vintage gear, or whether you are on a budget, you’ll find useful guidelines here.
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