Is electric guitar tone better now than it was in rock’s ‘golden age’ in the 60’s and 70’s? A recent article titled “Is It Tougher To Get Good Tone Now Vs. Then?” on Jay Kumar’s fantastic Woody Tone site explores that very question. Quoted from the article, guitarist and producer Dave Cobb, who recently recorded a new album with Black Robot, believes that “Everything was better back then.”
What’s an affordable, well made, very cool and not ridiculously expensive amp that’s like the 1624T? I’d say you might want to look at the Univox 202R. The early version of this amp is true point-to-point (before 66 or so, it seems – there’s not a lot of information on Univox amps). Later versions are printed circuit board, like the great little Univox U45 amps (they are mini tone MONSTERS). But the circuit and cap and resistor values stayed pretty much the same. If you can, it’s always better to find the point to point ones, as they’re easier to work on and tougher built – but the PCB ones are good amps, too. Univox amps were made in Japan (all the ones I’ve seen) – most of the ones I’ve been under the hood of were made at the Guyatone factory, and then imported to the United States and branded with various names (see below for some of the other names for this amp).
Class A tube guitar amps. Everyone’s heard the term. It’s generally associated with higher-end amps in support of an amp maker’s claim that their product sounds “better”. I’ll leave the debate as to which is better to others. What I want to discuss is what Class A really means and, from the pet peeve perspective, to debunk many amp manufacturers’ claims that their products are Class A when clearly they’re not! You may be surprised at how many amp makers falsely claim Class A operation. So, let’s review, in practical terms, what Class A really is and learn a simple rule of thumb you can use to spot operating class BS!
And this month, I sing the praises of another obscure and beautiful amplifier, in this case a 1966 Lectrolab S 400. I’ve seen a few Lectrolabs over the years and they are all pretty cool amps. The 400 series seem to be (and this is based only on observation and scattered information. No one seems to know very much about these) all single-ended small amps with a single EL84 for output and one or two eight inch speakers. The 600 series are more in the 15-20 watt range with either two 6V6’s or two EL84’s (driving a twelve inch speaker), depending on the year. And the 800 series, which I’ve never seen in person, I haven’t been able to find much about, other than that they seem like later versions of the 600’s. The 900 series are El84-equiped heads (very rare).
In addition to my monthly rants and raves here in Guitarticles, I also donate some experience and opinions in the design and development of many EASTWOOD guitar models. So, last month Mike Robinson of Eastwood Guitars sent me a prototype of his new Airline 18-Watt Handwired Combo Amp for review. The AMP is scheduled for release in October. Despite UPS’ efforts to the contrary, it arrived in perfect condition with a black – almost “bedliner” looking covering – a different take from the usual Tolex treatment. This material is very tough and cleans up nicely. The Airline sported an Emminence Red Coat speaker which looks to me to be a copy of a Celestion Vintage 30, which by the way is one of my favorite speakers.
Hello everyone. I hope you are all winging your way through guitar heaven. Guess what? It’s another list – this time I have listed what I believe to be the best guitar amplifiers for the money. Some may be pricey and not for everyone, but I still believe them to be a good deal.
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