The Bigsby vibrato may not be to everyone’s tastes – but we think it looks really good on all kinds of guitars. Here’s our list of Top 7 guitars with Bigsby, as played by famous guitarists. Which one is your favourite? There’s just something so cool about a Bigsby vibrato, doesn’t it? Well, not everyone will agree with this, […]
Today, we have the long overdue follow-up to the “10 Classic Guitar Amps” article by Ben Fargen of FargenAmps.com. Ben’s first post has become one of the most popular articles ever published on this site, so we asked Ben another list of definitive amps and songs. Be sure to let us know what you think in the comments section below!
What makes a great guitar riff? Does it come down to the technical brilliance that goes into playing it, or the ease by which a simple but effective riff can be played by beginners? Similarly, what riffs act as useful indicators of changing periods in music, and how have they transcended their status within songs to almost stand in for a whole band’s career? The following list represents an effort to put together some of the best guitar riffs, which are presented in rough order of influence through to some personal favourites at the top of the list.
Because as many know (evidenced by the frequent waiting list for the room), Room #8 is where, on September 19, 1973, Gram Parsons, relaxing after having finished his second solo album, the classic, although laden with too many slow as molasses tunes, “Grievous Angel”, died. He was a amazing singer—listening to Gram Parsons’ cracked beauty of a voice dance over a 7th chord is one of the most painfully gorgeous sounds that has ever been captured on recording equipment. There were singers with better chops, to be sure. Though, as my friend John points out, Doc Severenson had better chops than Miles Davis, who couldn’t play in the upper register. Chops are never the whole story when you’re talking about art.
Saturday night we wrapped up our inaugural participation at the annual Frankfurt Musikmesse. The fair runs four days and is the International version of North America’s NAMM Show – but much larger in scope. What a great success. We met with many customers – new and old – and had a great time! Here are a few pictures of the people and products we saw.
One of my students was around the other night and pointed out that even when I was playing his guitar (a beautiful Strat), I still sounded like me. It’s true – no matter what guitar or amp I plug into, I always sound like me. After 38 years of playing, it would be impossible for me not to. For a long time this bugged me. I guess because I was so used to “my sound”, I started to think it was pretty ordinary, and over the years I’ve made the odd attempt to change it. I can’t anymore.
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