A couple of months ago, I inquired about an Eastwood 12-string electric guitar. Your response was immediate, and ever since, I have enjoyed your website. After seeing today’s email, your request for stories brought back memories of my first Fender. I hope you find it interesting.
Approximately 4 yrs ago I had a brainstorm. I thought I would try to find a guitar that was similar to the one I had in Junior High (1963). That would be a four pickup Silvertone solid body guitar. When I was 12 and the Beatles came out, I had decided that I wanted to play guitar. My sister bought me a Stella to learn on, and I saved up enough to buy my own Silvertone guitar and the Twin 12 amp.
It wasn’t long after we moved back to Toronto from California that I acquired this guitar. You have to understand – I’ve bought and sold more guitars in the past 20 years than there are Beatles fans in Liverpool. When you are in the business of buying/selling guitars, you simply cannot afford to get attached to them. Yes, it is hard some times, but in the end this is what pays the bills, so you have to let them go.
I have a friend with a cool little music store here in St. Louis. I pop in from time to time since he always has a great selection of vintage lap steels, as well as an ever-changing assortment of oddball pieces to check out. As I was on my way out the door after one of my most recent visits, I spotted an early 80s Harmony “Flying V,” and immediately stopped in my tracks.
I guess I’m a typical guitarist. When I’m watching one of my favourite players I used to dream about one day being up there sharing the stage with one of my heroes. Well that dream came true for me a few years ago when I was invited up on stage by Tommy Emmanuel.
You give your prized axe a strum, but it seems someone has replaced your instrument with an imposter. This guitar looks like your old friend in every way, but it’s buzzing and rattling, and the frets are sharp. You ask yourself what is going on.
Musicvox guitars are pretty wierd. But, you never know what will come of a sketch on a napkin and an enthusiastic owner – Matthew Eichen – who was responsible for Musicvox guitars. These were part of a small Korean production run in the mid/late 1990’s. You’ve probably never seen one in your local shop, as the distribution of the brand did not gain any traction, but you may have seen one when New Line Cinema put the guitars in the hands of musicians playing parts in the Mike Myers/Austin Powers film Goldmember in 2002.
I’ve been playing my ’72 Fender P bass since I was 14 and over the past few decades my collection of guitars and basses got to the point that I didn’t know how many I had. A common problem with musicians, as some were in cases, some on guitar stands, and some on hooks in the basement and others at practice rooms.
Wow. Where did the time go? OK, I’m 50. No big deal. I’m just a little surprised how fast I got here that’s all. Looking back I can’t imagine having more fun along the way and no reason to think it will get any less silly moving forward. I am blessed to be surrounded by a great family and a wide, diverse circle of friends. What else could you ask for? Sorry to bore you with the slide show, but I feel the need to document this.
Last year at NAMM, Eastwood grand poobah Mike Robinson and I were talking about hot rods and custom jobs. He’d said one of the truly fun things he dug about motorcycle riding was tripping out your bike with custom touches that made it your own. This led into talk about custom guitars and some of his favorite custom shots people had sent in to him with their modified Eastwoods and Airlines. He sent me a couple of cool pictures at one point of wild things people had done to their guitars, and it got me thinking about a long-neglected project of mine with an old Silvertone/Danelectro. Most of the mods I do are on amps—and they tend to be unseen, unless you look under the hood—but here was a guitar job that would be obvious to anyone who saw it.
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