Eastwood’s tribute to the 1960’s Mosrite Bass is finally here. We’ve modeled the look, tone and feel of the original, but added a truly unique twist – we’ve given it a 32″ scale rather than the standard 34″ scale of your Fender P-Bass. Why? Here is what Bassist Grant Ivens had to say after reviewing […]
In keeping with the Domino theme this month, let’s take a look at the Domino Beatle Bass. Imported to New York by Maurice Lipsky Music Co., these Japanese guitars were part of a series of models branded “Domino” throughout the 1960’s.
Aria was formed in Japan in 1953 by Shiro Arai as Arai and Company. They began retailing acoustic guitars in 1960, although the company didn’t actually start manufacturing their own until 1964. Aria arranged for Matsumoku, the musical instrument maker, to build the guitars for them under contract. Arai and Matsumoku started building acoustic guitars in 1964, and then electric guitars in 1966, using Arai, Aria, Aria Diamond, Diamond, and much less frequently, Arita brand names.
Here is a rare bass from Italy. There is little information about the Espana brand, but it was most certainly created under the Crucianelli brand in the 1960’s Italy, likely the late 60’s. This bass was obviously targeted at the Fender crowd – check out the headstock – and the body too is quite reminiscent of the classic Fender style.
New Eastwood Bass Model coming next month! Here is a sneak peak at the new Eastwood MAGNUM Bass, the first 34″ scale BASS from Eastwood in many years. A tribute to the 1970’s Ovation Magnum Bass.
So you’ve completed basic lessons for playing the bass guitar. Are you satisfied with your current repertoire? If not, here are a couple of neat bass guitar playing styles or techniques that are easy to learn and can immediately add depth and variety to your music.
Hello fans of all things strings, I hope you are all playing and learning and most of all enjoying your guitar experiences. The marriage of the electric guitar and electric bass has always been an integral part of the fabric that is rock and roll. I believe that the model and subsequent sound of the bass of choice for a group is actually more important then the guitar and its sound. Case in point could you picture James Jameson playing an Alembic bass, or Chris Squire playing an EB0? Me neither. So lets get into this, and I will give you my opinion on in what I believe to be the 10 most important basses in Rock & Roll history!
What’s the best bass for guitar players? What’s arguably the coolest bass ever made? What’s got bottom that’s so huge, warm, and round that Mr. “I like Big Butts” Sir Mix a Lot would pen a moving ode to it? If you guessed the Valco-made Supro and/or Airline Pocket bass, you guessed right.
Hello fellow guitar nuts, I just returned from the Eastwood guitar complex in Toronto. While sunning myself in the Great North I performed some tasks for Eastwood, some of those tasks were the video clips of some of Eastwood’s basses. I actually was a bass player for many years before switching over to guitar. As I was playing the basses, I thought back to the guys that influenced me and some of my friends in the bass genre. So…this months column will focus on the electric bass and some of its most influential players.
My first home recording set up was an Akai ¼ inch 2 track and a Harmon Kardon cassette deck, no EQ, the only effects I had were a few effects pedals. I would program one of my primitive drum machines or use a factory preset non-programmable rhythm machine while I was recording that I would usually add my bass or rhythm guitar. And after a suitable take I would ping pong the tracks back and forth from the 2 track to the cassette, adding effects on the fly.
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