Eddie Cochran was only 21 years old when he died in an auto accident while on tour in England on April 17th 1960. In his brief but illustrious career Eddie recorded some of the most influential early rock and roll, tunes like, Twenty Flight Rock, C’mon Everybody, Too Much Monkey Business, and Something Else, but Eddie’s Summertime Blues was a monster hit. Summertime Blues was also covered by Blue Cheer (a Billboard Top 40 hit) and the Who (Live at Leeds) but neither version could match the magic and originality of Eddie’s version.
Now, I don’t really think there was – or even would have been – any sinful activity associated with this guitar. And the fact that its design is based in part on a religious motif is purely coincidence. But it is a funny story how this rare 1978 Kawai KS-700 guitar was discovered, in SinCity, no less.
Bigsby’s first “commercial” design for Magnatone was the Mark III, a neck-through-body semi-hollow guitar, Bigsby’s take on a Ricky Combo. We know some of these were built because one turned up a few years back at an L.A.-area yard sale (how often have you had that fantasy!). But it appears that Magnatone’s production folks made some changes and almost all that are found with solid bodies and a glued-in neck with a “tongue” extension that slips in under the neck pickup. The formica pickguard and Daka-Ware knobs are a little dated now, but back in ’56 they were strictly the cat’s pajamas!
This past month or so I found myself having the same conversation several different times with several different people. That conversation centered around the question, “what were the greatest guitar solos on record”? I tend to go for the usual ones, but there are some great guitar sounds, not necessarily just solos, that are also worth mentioning. So folks here are my thoughts on the ten “Greatest guitar songs”. My list is a list not in any particular order, so here we go.
Most of us probably know this longhorned guitar shape from the legendary Danelectro Guitarlin. Indeed, this Hondo guitar was intended to be a tribute to that ‘60s beauty. Danelectro bit the dust in 1969, yielding to the beginnings of international guitarmaking.
Twenty Eight years ago in Toronto, CANADA, an 18 yr old music fan slipped backstage, unnoticed by the distracted security people. Up a staircase, down a hall, then back down another staircase. He heard voices coming from the bands dressing room. He quietly stepped inside and said, “Mr. Nelson, will you please autograph my Album?” The memory seems like it was just yesterday. There, standing in front of me was my guitar hero, Bill Nelson of Be Bop Deluxe. He smiled and obliged. I turned to pose with Bill for a picture as my friend prepared to snap it. “What? No film?” My good friend Wally Moss had forgotten to load film in the camera. Go figure. People follow their passions – Wally’s was photography, mine was the electric guitar – and the musicians who made them sing. Bill Nelson remains one of the best.
There are a lot of guitar stories in the BigCity. A lot of them come with names like Gibson and Fender and a lot of people follow them around like mindless lemmings, genuflecting at the sound of the names. And pay out lots of money. But luckily for you and me, there are a lot of other stories down obscure alleys and behind underpasses. Providing encounters where you come face to face and you say, “I gotta have that guitar.” And even luckier for you and me, there’s a guy on the other side saying to himself, “Oh boy, have I got a sucker on the line now!” Then for a couple hundred instead of a couple thousand clams you walk away with another cool – and usually very good – axe like no one else’s. The BigCity is full of these stories. This 1985 Ibanez XV500 is one of them.
Yeah, man, that’s why we get into guitars, isn’t it? All of which is evident in this cool Summer o’ Love 1967 Fender Coronado XII Wildwood!
Early Alamos were somewhat inspired by Rickenbacker guitars, but by 1965 their designs had clearly gone over the top. In fact, it’s safe to say that, even in a whacky pack like that of the mid-’60s, Alamo guitars were among the boldest in America! Like this 1965 Alamo Fiesta Model 2586R!
This subject has been discussed many times in many places, so what do I do for my first column? I tackle a worn out subject with what I hope is a unique perspective. First, I will tell you that I have owned many vintage Fenders and Gibson’s over the years. I still own the vintage Gibson’s and do not own any more vintage Fenders (I guess that gives a preview of my take on Vintage Fender vs. Vintage Gibson). So let’s get started!!!
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