I have always dreamed of a guitar that would combine the features of my favorite guitars, yet be able to get many sounds from it, all of which would be useable sounds. This guitar would have to be functional, beautiful, easy to play, and affordable – the Joey Leone Signature Model Guitar for Eastwood.
Cue the music. Duh-DUH-duh-DUH-duh-DUH-duh-DUH? Fin cuts water. Girl screams. The big Jaws open. That’s right, folks, we’re talking about sharks. Killer sharks with a taste for teens. Only this monster is a guitar! From Minnesota, no less! Well, I’m sure weirder things have floated down the Mississippi River! Yes, boys and girls, you are looking at a genuine 1981 O’Hagan Shark Custom!
My first home recording set up was an Akai ¼ inch 2 track and a Harmon Kardon cassette deck, no EQ, the only effects I had were a few effects pedals. I would program one of my primitive drum machines or use a factory preset non-programmable rhythm machine while I was recording that I would usually add my bass or rhythm guitar. And after a suitable take I would ping pong the tracks back and forth from the 2 track to the cassette, adding effects on the fly.
The dragon is one of the most powerful images associated with East Asia. So, imagine my surprise when I first came upon a Cort Strat copy inlaid with a most spectacular mother-of-pearl and abalone dragon! What had I found?
Avanti guitars were probably made by the Polverini Brothers of Castelfidardo for European Crafts of Los Angeles beginning in late 1964. For this one, they chose a really cool rootbeer-barrel colored faux-rosewood plastic covering. Most early Italian guitars had either pushbutton or rocker controls adapted from accordions, but this is unusual with a fourway rotary select that let you choose each pickup individually or all at once. All in all a sensible arrangement. Whether the pickups are really humbuckers or single-coil is unknown, but they have that bright ’60s sound, and, anyhow, you really want an Avanti because it looks like rootbeer candy.
Greetings my friend and fellow strummers in this months column I will discuss that in my opinion that Artist recognition is one of the most important aspect of guitar marketing. That is a statement I truly believe, and in this column I will trace the popularity of certain guitars and the artists that I believe are responsible for their success. I will also list some guitar players and the guitars I found to be intriguing. I will list the guitars first and the artists that were associated with it. Remember my friends knowing what guitars your favorite players play is part of getting a sound similar to them, but it is only a small part of it.
This all came together in 1965 to form the Kay Titan I, a remarkably nice little guitar despite it’s looks. Technically, the Kay Titan I lasted only one year, although it was still around as the Kay Titan II beginning in 1966, when the juke box company Seeburg purchased the company.
What I’d gotten in that dark, dusty Philadelphia guitar shop was a 1965 Framus Strato Deluxe, essentially a solidbody version of the hollowbody 1963 Framus Television 5/118 shown here.
How would you feel if you got a gig playing on your local television station and your gear didn’t work? Well, in a way, that’s what happened to me and this 1965 Teisco TRG-2L guitar! Sort of.
Now, I don’t really think there was – or even would have been – any sinful activity associated with this guitar. And the fact that its design is based in part on a religious motif is purely coincidence. But it is a funny story how this rare 1978 Kawai KS-700 guitar was discovered, in SinCity, no less.
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