Any time you identify a “first,” there’s always some other dude who shows up to spoil the party and own the claim. However, I think it’s safe to assert that the first company to use computer numerical control (CNC) carving machines to build guitars in the U.S. was Peavey Electronics.
In an era where guitar heroes are a dying breed, Jack White stands among the greatest guitarists of his generation. His preference for older, more primitive equipment came at a time when most guitarists were neck-deep in processors, pedals and preamps. Relying on his distinct style and killer tone, White became the touchstone for a new movement of more blues-inspired guitarists.
Egmond also made high quality instruments, the Egmond 2 and 3, 2V and 3V. They had 2 or 3 pickups, as the number states. 2V and 3V (V=vinyl covered body) had the body shape of a Fender Jaguar or Fender Jazzmaster. Later the Egmond 2 and 3 got the name Egmond Thunder, and the Egmond 2V and 3V got the name Egmond Typhoon. A more advanced and luxury guitar, with the same body shape as the 2V and 3V, was the Egmond Tempest. Here is a fine example of the Egmond Thunder.
Here are two examples of the Japanese made EPI Crestwood from the early 1970’s. The Epiphone ET Series guitars were solidbody guitars produced from 1970-1978 at the Matsumoku plant in Japan. In 1970, the decision was made to close down Kalamazoo production of Epiphones in favor of building them overseas in Japan. Epiphone decided to offer a new line of Japanese-built Epiphones that had more in common with other Japanese copies than previous Epiphone products.
In a Trekkean view of the electric guitar universe, space is populated by all sorts of exotic and unique tribes and creations. You got your Fendermen and Gibsonians and other assorted “normal” beings. Then you have a whole bunch of guitars related to potatoes, like Micro-Frets and Ibanez Musicians, frequently from the 1970s, as it […]
Even for someone as guitar promiscuous as me, some brands of guitar just don’t speak to me. Rickenbacker was always one of those brands for me. Not that there’s anything wrong with Rickys; it’s just a matter of personality. However, when I found out Rickenbacker made a guitar with slanted frets, that definitely piqued my interest!
I confess I’ve not spent much of my life ice skating. Oh, I’ve been to ice skating rinks, but I don’t know, going around in circles on sore ankles just never turned me on. And there was always that queer, loud, ballparkish organ music in the foreground, if you’re lucky (or not), played by a live organist. I might have felt differently if the musician had been a guitarist. Or, rather, a Guitorganist!
Not to be confused with the recently re-issued California Rebel by Eastwood Guitars, the Domino Californian came out a few years earlier. Imported to New York by Maurice Lipsky Music Co., these Japanese guitars were part of a series of models branded “Domino” throughout the 1960’s.
If you Google this brand, 95% of the info is about acoustic guitars. But here is a very cool example of one of their electrics. Espana was a brand used by Buegeleisen & Jacobson of New York City, who imported guitars from Italy in the 1960’s. Although not this model, It appears these same guitars were imported into UK with the VOX brand.
Now that we’ve grabbed your attention, you may be surprised to find that it’s not that easy to write responsibly about a guitar with a shapely woman’s derriere replacing quilted maple on the top, but we’ll give it the old college try.
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